Albert Finney ( -?)
- Laurence Harvey, The Long and The Short and The Tall,(US: Jungle Fighters), 1959. The times were a -changing - faster on the West End stage thanUK films. Producer Michael Balcon wanted Peter O’Toole to repeat his stage role of Bamforth. Or Finney. However, the US money menrequired A Name. The following year both Finney and O’Toole were up for Lawrence of Arabia.(Michael Caine had been O’Toole’s understudy in the London stage production).
- Alan Bates, A Kind of Loving, 1962. Albie refused. Of course, he did. He had already played it in the (tons better) Saturday Night and Sunday Morning, 1960.
- Peter O’Toole, Lawrence of Arabia,1962.
- Tom Courtenay, Billy Liar, 1963. The film of his West End stage hit was one reason he turned down Lawrence of Arabia. He then turned Billy over to his successor on-stage. They later starred together in The Dresser, 1983, and on the West End stage in Art, 1996.
- Peter O'Toole, Lord Jim, 1965. US auteur Richard Brooks’ first choice his re-make of Victor Fleming’s 1925 silent versionpassed it, like Lawrence of Arabia,1962, to O’Toole. “But the trouble with O’Toole,” said Brooks, “is that Lord Jim is Lawrence.”
- Telly Savalas, Beau Geste, 1966. Nearly an all Brit line-up for the third Geste movie featuring Albie, Richard Burton, Peter O'Toole, before Universal shot it on the cheap - on the back lot with contract players.
- Cyril Cusack, Fahrenheit 451, 1966. As if he didn’t have enough pressures - first film in colour, first in English, a lingo he was far from confident with - French nouvelle vague icon François Truffaut also suffered four years of casting hurdles…. starting with Paul Newman as the fireman hero, Montag. When feeling Ray Bradbury’s story was too important to be shot in English(!), the réalisateur tried his past and future stars, Charles Aznavour, Jean-Paul Belmondo - and Oskar Werner as Montag’s boss. Producer Lewis Allen wanted Sterling Hayden in either role; or Finney, Laurence Olivier, Peter O’Toole, Michael Redgrave, Max Von Sydow. Producer Sam Spiegel even tried muscling in by promising Burton… bossing a Robert Redford loving Elizabeth Taylor! Enter: the head of the Cusack movie clan: actors Catherine, wife Maureen, Niamh, Sinéad Sorcha, producer Pádraig and director Paul. And son-in-law Jeremy Irons!
- Ronald Pickup, Much Ado About Nothing, TV, 1967. Finney passed on repeating his Don Pedro while the rest of Franco Zeffirelli’s stage production stayed aboard Alan Cooke’s TVersion.
- Patrick McGoohan, Ice Station Zebra, 1968. Offered in 1964. No one believed Albie when he said he was taking a year off… to see the world.
- Mick Jagger, Ned Kelly, 1970. Slated as Finney’s first production. “He was a brilliant leader of men but no hoodlum. He was too big for that.” He grew a moustache and studied accents in Ireland before the project fell through.
- Simon Ward, Young Winston, 1972. Announced prematurely by Columbia. Writer-producer Carl Foreman had merely mentioned it to him during his surprise cameo in The Victors, 1963. “He was interested. We left it at that. I never make real plans with an actor until my script is ready. I may need three actors and try to make a complete story.” Thirty years later, Albie finally played Winnie in The Gathering Storm tele-film.
- Michael Caine, Sleuth, l972. US director Joseph Mankiewicz’ first choice, Alan Bates second, Caine third. In keeping with his British Brando label, Finney was just... too fat.
- Peter Finch, A Bequest To The Nation, 1973. No to Nelson. “I’m scared of being committed to anything.”
- Sean Connery, Robin and Marian, 1976. The project began as Robin Finney and Little John Connery luring Audrey Hepburn back to the screen as Maid Marian after after a nine-year retirement. Sean and Audrey were, finally, Sherwood’s titular couple.
- Peter Ustinov, Murder On The Nile, 1977. After his 1974 success of Murder on the Orient Express, Albie was asked to reprise his Hercule Poirot. No thanks! The make-up and padding was hot enough last time but now in location temperatures of 100-plus degrees Fahrenheit.
- Richard Chamberlain, Shogun, TV, 1980. Two Bonds, Sean Connery and Roger Moore,were also in the frame when James Clavell’s novel was still a movie project and not another yawn with The King of the Mini Series. Finney finally made a Bond film, the 23rd - and 50th anniversary choice - Skyfall, 2011.
- Ben Kingsley, Gandhi, 1982. Said Albie to Richard Attenborough: “Dickie, do you want me to spend the next six years at a health farm?”
- Sean Connery, Der Name der Rose/The Name of the Rose, France-Italy-West Germany, 1986. Réalisateur Jean-Jacques Annaud was not keen on 007 as Umberto Eco’s medieval monk turned detective. Columia Pictures even refused financing if Connery was involved as his post-Bond star was imploding. Naturally, Brando topped Annaud’s further 14 ideas. Six Americans: Marlon Brando, Robert De Niro, Frederic Forrest, Paul Newman, Jack Nicholson, Roy Scheider; four Brits: Finney, Michael Caine, Ian McKellen, Terence Stamp; plus Canadian Donald Sutherland, French Yves Montand, Irish Richard Harris, Italian Vittorio Gassman and Swedish Max von Sydow. Connery’s reading was the best and his career exploded anew. Two years later, he won his support Oscar for The Untouchables.
- Joss Ackland, The Sicilian, 1987. Starring in a West End play, Albie was disinterested when there was no script. In Rome, Claire Bloom’s daughter, Anna Steiger, gave Michael Cimino a cassette of Ackland in Shadowlands. And Evita’s original Peron signed to be a Mafia Don - just as Finney announced his play would be over in good time for locations!
- Donald Sutherland, A Dry White Season, 1989. Director Euzhan Palcy also tried Michael Caine. She found Sutherland in Ordinary People - directed by the man who helped her into international filming, Robert Redford.
- Michael Gambon, The Cook, The Thief, His Wife and Her Lover, 1989. The four title characters are named for the actors that writer-director Peter Greenaway first asked to play them. Richard (The Cook) is for French star Richard Bohringer, only one of Greenaway’s original choices in the film. Albert (The Thief) is named after Finney, Georgina (His Wife) for Georgina Hale. Michael (The Lover) is named, for Michael Gambon... Greenaway eventually re-cast him as Albert.
- Donald Sumpter, Rosencrantz & Guildenstern Are Dead, 1990. UK director John Boorman hoped to book ’em all in 1970: Albie, Michael Caine, Laurence Olivier, Terence Stamp, even Maggie Smith. Well, the Rocky-rich producers were paying.
- Donel Donnelly, The Godfather: Part III, 1991.
- Bob Hoskins, Danny The Dog, France, 2005. Written by producteur Luc Besson for Albie - supposedly. If so, why not wait until Finney completed Big Fish, 2003.
- David Kelly, Charlie and the Chocolate Factory, 2004. Tim Burton explained to his 2003 Big Fish star that he wanted one A lister only - and that was Mr Depp. The rule didn’t apply to Burton’s latest animation venture, Corpse Bride, 2004, so he asked Finney to voice Finis - opposite Depp as Victor Van Dort. Also in the Grandpa loop: Richard Attenborough, Kirk Douglas, Richard Griffiths, Anthony Hopkins, Christopher Lloyd, Armin Mueller-Stahl, Paul Newman, Max von Sydow, Eli Wallach, David Warner. Burton finally gave the role to Kelly (“in three minutes,” said Kelly) on running into him at Pinewood studios for a costume fitting for another film.
- Rod Taylor, Inglourious Basterds, 2008. Quentin Tarantino had the title since 1998 - the US title but not the same story of Enzo G Casterllari’s 1978 spaghetti WWII saga, Quel maledetto trena blindato. Michael Madsen later announced the first casting of himself, Sandler, Eddie Murphy, Tim Roth. But Cute (ie QT!) postponed everything for his Kill Bills, 2003/2004... and later changed his game plan. Hence an Aussie Churchill, instead of Finney reprising his Winston from The Gathering Storm, TV, 2001, which won Albie an Emmy, a Bafta and a Golden Globe. . But Albie doesn’t do encores.
- Jeremy Irons, The Borgias, TV, 2010. The Italian Caligula director Tinto Brass told me he offered Pope Alexander VI to Irons long before Irish director Neil Jordan got his film off the ground - as a TV series.
- Billy Connolly, Quartet, 2012.A new director - fella named Dustin Hoffman - first asked another old-timerto head hisfirst film. “But when the time came,” said Connolly, “Albert Finney was a bit sick. He couldn’t do it. So [Hoffman] went to Peter O’Toole but Peter O’Toole doesn’t want to work any more, so [Hoffman] came to me.” The sole problem was that the Scots comic was 70, not 75. “I don’t look it because I’m not wrinkly. Dustin was worried … that I looked too young!” Either way, he still stole the entire movie… from such renowned film-stealers as Tom Courtenay, Michael Gambon and, for the second time in a film called Quartet in her long career, Maggie Smith.