- Jean Hugues Anglade, 37°2 le matin (UK/US:Betty Blue), France, 1985. “Many actors of my generation must have lined up in Beineix’s office,” Anglade told Frederic Albert Levy on the 2013 DVD bonus, “but he was still looking... Over the last six months, I believe he had seen people like Reno [Luc Besson’s find], François Cluzet, Head… Eventually, it was Dominique Besnehard [who discovered Betty herself, Béatrice Dalle] who, very accurately, suggested I meet Beineix.I believe Beineix hadn’t found his Zorg because he was after actors substantially younger than the characters in the novel. And he wanted to make a film ‘sexually committed,’ with actors ‘physically available,’ capable of using their bodies, of walking naked in front of the camera, in a very natural way. There was an exhibitionistic side in me…those were the days!”1. - Patrice Chereau, Last of the Mohicans, 1992. "Montcalm was the first interesting role I was offered by Hollywood but [theatre director] Chereau was what they wanted. More sophisticated!"
- Patrice Chereau, Last of the Mohicans, 1992. "Montcalm was the first interesting role I was offeredby Hollywood but [theatre director] Chereau was what they wanted.Moresophisticated!"
- Gérard Lanvin, Mon homme, France, 1995. Reno preferred Mission: Impossible. Like his replacement, he would have fretted over the nude sex scenes.
- Dennis Hopper, Waterworld, 1995. "Three months in Hawaii would have made me an alcoholic!" It simply improved Hopper's golf game.
- Val Kilmer, Heat, 1995. His American CAAgents did not think he could take off in the States until Nikita. "All I was ever offered - and refused - were killers!" By 1998, with French Kiss and Godzilla under his belt, he was co-starring with De Niro, anyway - in Ronin. And in Paris.
- Jon Voight, Anaconda, 1997. Reno was just finishing six gruelling weeks in Brazil for Le jaguar and was not keen on messing with snakes. Voight’s river rat, said critic Roger Ebert, was always on the delectable edge of overacting.
- Anthony Hopkins, The Mask of Zorro, 1998. Inheriting Steven Spielberg's pet project ("he's seen all the other versions"), Bond maestro Martin Campbell found Hopkins jumping ship and Alain Delon not even returning his calls. And so for the older Zorro, the Kiwi turned to "the best known French actor in America - yes, even more so than Depardieu."
- Hugo Weaving, The Matrix, 1998. Nobody could understand the script - can you?" Preferred Godzilla to being all those Agent Smiths - or four months in Australias, just after three in America. Owch! The Wachowski siblings (then brothers Larry and Andy, now sisters Lana and Lilly) selected Weaving after seeing his Aussie film, Proof.
- Michel Subor, Beau travail, France, 1999. “I love Claire Denis but again, it was not the right moment."
- Pascal Gregory, Jeanne d'Arc (US: The Messenger), France, 1999. Reno was been booked as Gilles de Rais when Kathyrn Bigelow was due to helm. Once Luc Besson started his version, he dropped his usual star because he was suddenly a comedy star (and in costume) in Les visiteurs.
Emir Kusturica, La Veuve de Saint-Pierre, France, 1999. Realisateur PatriceLeconte succeeded Alain Corneau and solved the director’s 1997 problem - finding the murderer who makes good.After considering Reno, Leconte mused about the actors in Kusturica’s Serbian films... and selected the director, himself. On the final day of shooting, co-star Juliette Binoche told Leconte she had suggested Kusturica as director when Corneau quit.
- Gérard Depardieu, Vidocq, France, 2001. Gérard Lanvin was contacted -then Depardieu, Reno.
- Roschidy Zem, Le raid, France, 2001. In the end, the very expensive comedy survived well enough sans any star baggage.
- Antonio Banderas, La femme fatale, 2002. Copy-cat director Brian De Palmahad moved to Paris - to live and work. Pity.
- Gérard Lanvin, Le boulet, France, France, 2003. Another day, another (action) comedy.
- Gérard Lanvin, Des parents formidables, France, 2009. Part of producer Christian Fechner’s ensemble - with Christian Clavier, Isabelle Huppert - when the project was called On ne choisit pas sa famille.
- Denis Ménochet, Inglourious Basterds, 2008. One Frenchy for another as Perrier LaPadite in Quentin Tarantino WWI fantasy. He’d had the title since 1998 - the US title but not the same story of Enzo G Casterllari’s 1978 spaghetti WWII saga, Quel maledetto trena blindato, and then postponed everything for his Kill Bills, 2003/2004, messing up everybody’s schedules.
- Jonathan Zacci, Robin Hood, 2009. The fading French star was on the short list for King Phllip of France.
- Gérard Depardieu,Astérix et Obélix: Au service de Sa Majesté/Astérix and Obélix: God Save Britannia, France-Hungary-Italy-Spain-Italy, 2011. Panic in Paris! The mighty Depardieuthought three Asterixian outings were enoughfor him - even if he didn’t need Obélix’s fat suit anymore!Desperate calls were made to François-Xavier Demaison (good thinking)(, Kad Merad andReno (lousy ideas)- and playing safe, the box--office king Dany Boon. He stayed aboard as the Norman leader Têtedepiaf because no one could substitute Depardieu.Except Depardieu!