Payday Loans

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Marion Davies (1897-1961)

  1. Jean Harlow, Red-Headed Woman, 1932.         Harlow’s agent, Paul Bern, argued for his girl. They wed just after filming and he immediately committed suicide.,   Davies was the mistress of newspaper tycoon William Randolph Hearst for 30 years.   And one daughter. 
  2. Norma Shearer, The Barretts of Wimpole Street, 1934.       WR Hearst insisted on Elizabeth Barrett Browning for his Greek-American mistress -   chronicled daily in his papers as "a talented star, a vision of loveliness."   MGM production genius Irving Thalberg wanted it for his wife. "Marion's a comedienne," he told his boss,  LB Mayer. "She'll get laughs if she plays that part." Mayer replied: "Hearst believes   Marion  can play anything Norma can do.   If you say the wrong thing, he'll be insulted and you'll never   get it."   Thalberg said the right thing: If Davies starred,   Hearst would have to bankroll the film.   Thalberg also gave the impression his star would not be Shearer, but Broadway's Katharine Cornell. The Shearer truth broke once WR and Davies were safely abroad.   Safely? The furious WR orcdered his gossip hen Louella Parsons to spike all mention of the film and Shearer for a year. Guess what?   MGM survived!
  3. Olivia De Havilland, Captain Blood, 1935.       "Would Miss Davies be interested in  playing in  this important picture?"  Warners’ boss Jack Warner cabled Hearst.   "There is an excellent feminine part for her," he added -   in case either they  thought it was for the lead.
  4. Irene Dunne, Theodora Goes Wild, 1935.         Davis and Carole Lombard were the first thoughts for the secret best-selling scandal author exposing all in Lynnfield - The Biggest Little Town in Connecticut. Clark Gable was supposed to join Davies to rekindle their Cain and Mable chemistry, but Marion mace it clear. She had retired. Enter: Dunne and Melvyn Douglas. Well, he had a ’tash…
  5. Carole Lombard, My Man Godfrey, 1935.   Davies at 38, Constance Bennett, 31, and Miriam Hopkins, 33,   were hot contenders for teenage Irene Bullock. But the butler, William Powell, scuppered their boats by insisting on his ex-wife!  (She was youngest on the list - 27).For the first time, one movie collected all four Oscar acting nods for Powell, Lombard, Mischa Auer and Alice Brady. It remains one of the best comedies of all time.
  6. Eleanor Powell, Rosalie, 1936.        Back in 1928, La Davies was set as the Princess of Romanza. Then, everything was put on hold when talkies arrived and MGM’s studios were wired for sound. Eight years later, Davies was over and Nelson Eddy was the West Point cadet falling for Jeanette… No!  For the first time, he was minus Miss MacDonald when Powell became his Highness.
  7. Wendy Hiller, Pygmalion, 1937.   George Bernard Shaw was a guest of h Hearst and Davies at the enormous San Simeon estate - mimicked by Citizen Kane’s Xanadu. On returnng home, GBS wrote to Davies (mimicked by Susan Alexander, the second Mrs. Charles Foster Kane), inviting her to be Eliza Dolittle in the film of his 1914 play. Fortunately for all concerned, Brooklyn’s Davies had by then retired. While GBS went on to be the only person to win the oddest of odd couples: the Nobel Prize and an Oscar!
  8. Marie Wilson, Boy Meets Girl, 1937.       “Daddy” knows best. Davies was announce., then not. Her lover, powerful Press baron William Randolph Hearst, felt that the rôle far too racy for his gal. It was OK for Marion to be a zillionaire’s real mistress but not a fictional unwed mother! Enter: Anaheim’s exceedingly well upholstered Wilson.
  9. Claudette Colbert, Tovarich, 1937.  Warner Bros secured rights to the `1933 French play for  Davies - or Kay Francis - to be  the Grand Duchess Tatiana.  Yet Colbert made it, complaining how cinematographer Charles Lang kept shooting her wrong profile. So she fell ill to delay shooting.  While Davies quit Warners.  Ah! those were the days.
  10. Norma Shearer, Marie-Antoinette, 1938.      WR Hearst read the Stefan Zweig biography of Marie-Antoinette.   Thalberg:  "I'll talk to Norma." Shearer: "She can have it!"   LB Mayer to  Davies:   "I can't visualise you as Marie-Antoinette."   Citizen Hearst and Marion’s Cosmopolitan company promptly quit MGM for Warners.   Shearer made the film two years after Thalberg's early death.
  11. Joan Crawford, Susan and God, 1939.  MGM’s head lion, LB Mayer, found Susan difficulort to cast. Norma Shearer refused to be a mother again so soon after Little Women, and Davies refused all offers to forget her retirement. So as often happened at Metro, La Crawford just moved in, lock, stock and barrel.




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