1. – Assumpta Serna, Matador, Spain, 1986. Having lost the actress he wrote it for (Charo Lopez), director Pedro Almodovar checked other acting beauties. “I’m sure I could’ve brought out a side of Ana Belen that we’ve never seen before.” Like the mercenary side; she wanted too much money!
2. – Marisa Paredes, La Flor de mi secreto, Spain, 1995. Pedro Almodovar first selected the singer-actress, then changed his mind and she lost another memorable woman’s role.
Birth year: Death year: Other name: Casting Calls: 0