Arturo De Cortdova

  1. Anthony Dexter, Valentino, 1950.  The second of Dexter’s 25 screen roles (go on, name one) is his most famous film. The Nebraska farm boy was a real clone of the silent movie icon – aka Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina d’Antonguolla. “Incredible!” declared George Melford who directed Valentino’s The Sheik in 1921. “The same eyes, ears, mouth – the same grace in dancing.”  The Columbia Pictures publicity machine insisted  that 75,000 applicants led to 400 screen tests – none seemed to be Italian. Certainly not the final seven. Producer Edward Small (his name condemned his work in advance – Small productions!) finally went through Argentine Fernando Lamas, two Mexicans, (Arturo de Córdova, Ricardo Montalban) and three Yanks (John Derek, Jon Hall, Guy Williams) before voting Dexter. UK director Ken Russell made a glossier (well, typically Russellian) version in 1976.  His Rudolph wasn’t Italian either. But Russian! The ballet star Rudolph (geddit?) Nureyev.

 Birth year: 1907Death year: 1973Other name: Casting Calls:  1