Charles Belmont

1. – Sami Frey,  La vérité/The Truth, France, 1960.  Another of Bardot’s celebrated marathon of co-star tests for realisateur Henri-Georges Clouzot’s courtroom thriller.  No ill-feelings.  For his directing debut, Boris Vian’s L’ecume des jours, 1968, Belmont chose… Frey.

 

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