Michele Philippe

1. – Suzy Delair, Par la fenetre, France, 1947. For his ninth film in four years, realisateur Gilles Grangier wanted his second leading lady, Michle Philippe – “one   of the   best actresses of her time who died very young.” But his director pal, Henri-Georges Clouzot pleaded: “Take Suzy, or life at home will be impossible for me.” Vivacious Michle was given a smaller role while Clouzot’s lover   terrorised everyone. “Suzy arrived for work,” recalled Grangier, “with one sole objective – to make trouble.”


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